![]() Other consequences remain to be determined. The Justice Department launched a civil rights probe in February. In addition to Jenkins’ lasting injuries, another Black man also accused them of shoving a gun inside his mouth. The charges followed an Associated Press investigation in March that linked some of the officers to at least four violent encounters since 2019 that left two Black men dead. “I hope this is a lesson to everybody out there: Justice will be served.” ![]() Head down, the disgust everybody felt for them and that they feel for themselves,” Parker said after the officers were led away in shackles. “I enjoyed the view of seeing the walk of shame. They were embraced by Monica Lee, the mother of Damien Cameron, a Black man who died in Elward’s custody in 2021. ![]() The victims - Michael Corey Jenkins and Eddie Terrell Parker - arrived together to Monday’s hearing and sat in the front row, just feet from their attackers’ families. Time served for the state convictions will run concurrently with the potentially longer federal sentences they’ll receive in November. They agreed to sentences recommended by state prosecutors ranging from five to 30 years, although the judge isn’t bound by that. Or maybe we should ban the automated check-out line at Stop & Shop, or fire Marty the robot, who cleans up spills and other hazards in the produce aisle.They appeared Monday in jumpsuits with the names of the jails covered by tape. We might as well never have invented the assembly line. But to object to automation on the grounds that it will result in job losses is a fool’s errand. I do agree that actors and writers should be fairly compensated for content generated by AI that uses their likenesses or ideas. This is more complicated even than the residuals. Writers and actors are also concerned about the use of artificial intelligence or, in effect, being replaced by robots. Many of the old episodes of TV shows that used to be run in syndication now reside instead on the streaming platforms of the networks, where they can be accessed on-demand by subscribers, resulting in less revenue to both the networks and the creative community. The actors are upset that residuals have dropped dramatically with the decline of conventional television delivered via cable. The other bones of contention are more complicated and perhaps intractable. As is almost always the case, the two sides aren’t on the same page in terms of wages, but the gap is close enough that it can be bridged. As I wrote on Substack, it all boils down to money and job protections. Meanwhile, the strike continues with no clear end in sight. In the end, you can be sure that the question of whether to continue all the tax incentives will be based on a mixture of economics and politics. Josh Eliott, a progressive Democrat from Hamden, has filed a bill to phase out the film production tax credit. Furthermore, the institute adds, those costs are “often claimed, not by film companies who sell the tax credits, but by Connecticut’s insurance industry.”Ĭiting another report commissioned by the state itself, the institute also says, “There is evidence that Connecticut’s film industry owes its continued existence to these tax credits,” leading to questions about whether it should be abandoned. Still, one has to wonder if the tax credit, which the libertarian-leaning Yankee Institute has estimated burdens taxpayers to the tune of $100 million per year, is worth it. It is true that, in addition to the jobs directly connected to the project, productions bring in revenue for the local economy, including rental companies, hotels, restaurants and bars - all of which, in turn, pay sales taxes to the state. Last year, then-DECD head David Lehman recommended “ dialing back” the tax incentives. As it has for more than a decade, the program, administered through the Office of Film, TV and Digital Media, lost money in 2022.
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